“his socks compelled one’s attention without losing one’s respect.”
― ‘Ministers of Grace’
Tag Archives: The Chronicles of Clovis
New book! Saki (H.H. Munro): Original and Uncollected Stories
This is just a quick post to say that my new book has been published and is now available in both electronic and paper form. Titled Saki (H.H. Munro): Original and Uncollected Stories, it reprints the original versions of tales that were later changed when collected together in The Chronicles of Clovis (see here for some information on that), and also includes three other stories that haven’t appeared in any collections up to now: ‘Mrs. Pendercoet’s Lost Identity’, ‘The Romance of Business’ and ‘The Optimist’. I have blogged here already about the rediscovery of a couple of these.
The book is published under an Open Access license, which means that you can read it online or download a PDF version for free. I would urge you though, if you can afford it, to buy either the EPUB, the paperback, or the hardback version, and help to support the publishers.
You can find it here: https://www.openbookpublishers.com/books/10.11647/obp.0365
Forthcoming: ‘Saki (H.H. Munro): Original and Uncollected Stories’
I’m delighted to announce that my edited collection of Saki’s stories will be appearing soon as a real book and in a number of electronic formats, thanks to Open Book Publishers.
The book is a follow up to my article on the genesis of The Chronicles of Clovis and contains the original periodical versions of the following stories:
- Esmé
- Tobermory
- Mrs Packletide’s Tiger
- The Background
- The Jesting of Arlington Stringham
- Adrian
- The Chaplet
- Wratislav
- Filboid Studge
- Ministers of Grace
It also includes three hitherto uncollected stories:
- Mrs Pendercoet’s Lost Identity
- The Optimist
- The Romance of Business (only recently rediscovered, as revealed on this blog)
I’ve written an introduction, setting the stories in context, and as you’d expect there are plentiful annotations as well. The volume also includes a chronology of Munro’s life, suggestions for further reading, and a list of textual variants for the Chronicles of Clovis stories.
At the minute I’m correcting the proofs, and once that’s done publication shouldn’t be too far away. I will of course post the publication date here as soon as I know it.
More details can be found here: https://www.openbookpublishers.com/books/10.11647/obp.0365
“By insisting on having your bottle pointing to the north…”
“By insisting on having your bottle pointing to the north when the cork is being drawn, and calling the waiter Max, you may induce an impression on your guests which hours of laboured boasting might be powerless to achieve. For this purpose, however, the guests must be chosen as carefully as the wine.”
― ‘The Chaplet’
“I regard one’s hair…”
“I regard one’s hair as I regard husbands: as long as one is seen together in public one’s private divergences don’t matter.”
― ‘The Secret Sin Of Septimus Brope’
“I’m always having depressing experiences…”
“‘I’m always having depressing experiences,’ said the Baroness, ‘but I never give them outward expression. It’s as bad as looking one’s age.’”
― ‘The Way To The Dairy’
The Chronicles of Clovis – original cover
Looking up Saki first editions online, I came across this picture of the wonderful artwork for the original edition of The Chronicles of Clovis, possibly inspired by the beginning of ‘The Quest’, in which Clovis is reclining in a hammock (though he’s described there as “dozing”, so the book and pencil don’t quite fit).
I’ve commented several times in this blog on Munro’s love of art, and we know from his letters to his publisher that he had some input into the design:
Your favour of the covers of “Clovis” to hand. The red with lettering (which I have marked I.) seems to me the best in all particulars save one, viz: the amended drawing of the leg in the green cover (marked II.) is a distinct improvement. on [sic] the other hand I think the extra touches of shading in that cover take away from the simplicity of the design and spoil the “white flannel” effect. So if we can have the No. I. cover with the amended leg but with additional shadings of No. II. I think that will do very well.
(letter of 13 August 1911)
Now if only I had a spare $400…
Original link at Abebooks.com: https://www.abebooks.com/servlet/BookDetailsPL?bi=22900573745
Article link: Reconstructing the Original Beasts and Super-Beasts by “Saki,” or How a Short Story Collection Took Shape
I completely forgot to mention that my article on the genesis of The Chronicles of Clovis (which was originally to be called Beasts and Super-Beasts) was published last October in the journal Articles, Notes and Queries (ANQ).
It examines the differences between the versions of stories published in periodicals and the revised versions collected in the book. I trace the writing and publication history and speculate a little on the reasons for the changes.
The article can be found here, though access is unfortunately not free: https://www.tandfonline.com/doi/full/10.1080/0895769X.2021.1979929
Gaston, Bruce. “Reconstructing the Original Beasts and Super-Beasts by ‘Saki,’ or How a Short Story Collection Took Shape.” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews. 12 Oct. 2021. Online: https://doi.org/10.1080/0895769X.2021.1979929 (08.02.22)
‘Angels of Grace’ and King Robert of Sicily
The following narrative poem by Longfellow provided the inspiration for Saki’s story ‘Ministers of Grace’ (originally published in The Bystander and later collected in The Chronicles of Clovis).
Robert of Sicily, brother of Pope Urbane
And Valmond, Emperor of Allemaine,
Apparelled in magnificent attire,
With retinue of many a knight and squire,
On St. John’s eve, at vespers, proudly sat
And heard the priests chant the Magnificat,
And as he listened, o’er and o’er again
Repeated, like a burden or refrain,
He caught the words, “Deposuit potentes
De sede, et exaltavit humiles”;
And slowly lifting up his kingly head
He to a learned clerk beside him said,
“What mean these words?” The clerk made answer meet,
“He has put down the mighty from their seat,
And has exalted them of low degree.”
Thereat King Robert muttered scornfully,
“’T is well that such seditious words are sung
Only by priests and in the Latin tongue;
For unto priests and people be it known,
There is no power can push me from my throne!”
And leaning back, he yawned and fell asleep,
Lulled by the chant monotonous and deep. Continue reading
‘The Easter Egg’
It was distinctly hard lines for Lady Barbara, who came of good fighting stock, and was one of the bravest women of her generation, that her son should be so undisguisedly a coward. Whatever good qualities Lester Slaggby may have possessed, and he was in some respects charming, courage could certainly never he imputed to him. As a child he had suffered from childish timidity, as a boy from unboyish funk, and as a youth he had exchanged unreasoning fears for others which were more formidable from the fact of having a carefully thought-out basis. He was frankly afraid of animals, nervous with firearms, and never crossed the Channel without mentally comparing the numerical proportion of lifebelts to passengers. On horseback he seemed to require as many hands as a Hindu god, at least four for clutching the reins, and two more for patting the horse soothingly on the neck. Lady Barbara no longer pretended not to see her son’s prevailing weakness; with her usual courage she faced the knowledge of it squarely, and, mother-like, loved him none the less.
Continental travel, anywhere away from the great tourist tracks, was a favoured hobby with Lady Barbara, and Lester joined her as often as possible. Eastertide usually found her at Knobaltheim,1 an upland township in one of those small princedoms that make inconspicuous freckles on the map of Central Europe.
A long-standing acquaintanceship with the reigning family made her a personage of due importance in the eyes of her old friend the Burgomaster,2 and she was anxiously consulted by that worthy on the momentous occasion when the Prince made known his intention of coming in person to open a sanatorium outside the town. All the usual items in a programme of welcome, some of them fatuous and commonplace, others quaint and charming, had been arranged for, but the Burgomaster hoped that the resourceful English lady might have something new and tasteful to suggest in the way of loyal greeting. The Prince was known to the outside world, if at all, as an old-fashioned reactionary, combating modern progress, as it were, with a wooden sword; to his own people he was known as a kindly old gentleman with a certain endearing stateliness which had nothing of standoffishness about it. Knobaltheim was anxious to do its best. Lady Barbara discussed the matter with Lester and one or two acquaintances in her little hotel, but ideas were difficult to come by.
“Might I suggest something to the Gnädige Frau?”3 asked a sallow high-cheek-boned lady to whom the Englishwoman had spoken once or twice, and whom she had set down in her mind as probably a Southern Slav.4
“Might I suggest something for the Reception Fest?” she went on, with a certain shy eagerness. “Our little child here, our baby, we will dress him in little white coat, with small wings, as an Easter angel, and he will carry a large white Easter egg, and inside shall be a basket of plover eggs, of which the Prince is so fond, and he shall give it to his Highness as Easter offering. It is so pretty an idea; we have seen it done once in Styria.” Continue reading